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SBD (shnid=4982): Betty Board -- Master 7' Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) AUD (shnid=29303): Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MCMC>CDR>EAC>WAV> Firmware for samsung galaxy star duos specs. FLAC Recording And Transfer: Jeff Stevenson Thank you to Rob Eaton for the SBD transfer, and to Jeff Stevenson for recording this all-time great show. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) February 5, 2009 Set I d1t01 - Minglewood Blues d1t02 - Loser d1t03 - El Paso d1t04 - They Love Each Other d1t05 - Jack Straw d1t06 - Deal d1t07 - Lazy Lightning -> d1t08 - Supplication d1t09 - Brown Eyed Women d1t10 - Mama Tried d1t11 - Row Jimmy d2t01 - Dancin' In The Streets Set II d2t02 - Take A Step Back d2t03 - Scarlet Begonias -> d2t04 - Fire On The Mountain d2t05 - Estimated Prophet d3t01 - St. Stephen -> d3t02 - Not Fade Away -> d3t03 - St. Stephen -> d3t04 - Morning Dew Encore------ d3t05 - One More Saturday Night Jerry Garcia - Lead Guitar, Vocals Donna Jean Godchaux - Vocals Keith Godchaux - Keyboards Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Bob Weir - Rhythm Guitar, Vocals Notes: Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.
-Hunter February 14, 2010. For a large subset of music fans, a single concert on May 8th of 1977 captured a monumental moment, and ranks above any other show in rock history.
It speaks to the lasting significance of the Dead, and the lives of its listeners, that only a few thousand people were there to hear it. The legendary show is best known as 'Barton Hall '77'. Fame often distorts factual details, and the myth of May 8th might make what went on up at Cornell that strange and snowy spring night ultimately unknowable. But long before it was etched in the minds of Deadheads through the viral spread of audience tapes, culminating with the pristine soundboard recording that surfaced in 1987, Barton Hall was simply a stop between Boston and Buffalo on a well-regarded live band's itinerary. 'The Barton Hall show has - as have many things Grateful Dead - grown in stature over the years,' said John Scher, who co-promoted the '77 show with the Cornell Concert Commission, revolutionized concert promotion while working with the band, and transformed The Capitol Theatre in Passaic, New Jersey into one of rock's most hallowed halls. 'And probably if as many people were there as say they were there, you'd be talking about hundreds of thousands of people.' 'I actually know people who I know weren't there who thought they were there because they've heard the tapes for so long,' Scher continued.
'It's hard to say. I saw hundreds upon hundreds of Grateful Dead shows, and it is one that sticks out in my mind, but probably to some degree I'm as guilty as the next: I was there, I remember it being a very joyful show, but because I've heard it many times since, and because of the legend of the show, it magnified itself.' Booking the band 'I always thought of this as my show,' said Pat O'Brien, who was graduated from Cornell in 1977, and who was the chair of the Cornell Concert Commission during the lead-up to Barton Hall show. Dkz studio 0 91b duty. 'From the moment it was booked.
This was my graduation month, and they were my favorite band.' According to Mike McEvoy, the CCC's chairman of the selection and market research committee from '76-'78, a well-received Monday night appearance at Bailey Hall in October 1975 by a Jerry Garca side project 'began to lay some of the groundwork.' 'Ithaca is not on the route maps for most bands.