Ekin Cheng Goodby Mr.cool Full Movie
As a triad, must be a movie right? Although this was somehow included in my (original series + spin offs), is not a Y&D spin off and only related to the series because it’s in the triad genre.
Mar 29, 2012 - Ekin Cheng as a triad, must be a Young & Dangerous movie right? Although this was somehow included in my Y&D box set (original.
The cool thing is that his character in this movie, Dragon, is an easy sell as an extension of his infamous character in Y&D, so in that right I’ll call it an indirect spinerama-off. Plus, a bunch of Y&D cast in another triad movies doesn’t leave many possible conclusions to draw on. But NO, this movie is really nothing compared to ‘s cult favourite in Y&D. I wouldn’t go so far as to call it a Y&D or triad rip-off, just another triad movie (for better or worse). Whether you’re stuck comparing it with Y&D or not, you will make note of the flashy style, overwriting and underwhelming melodrama. The story or should I say themes that follow Ekin’s character along are evident and quite pleasant, they just don’t pull the trigger and fall short.
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Cool follows the standard gangster formula of an ex-gangster trying to make a new life for their self and being swayed back towards the underworld. This movie does add a few more layers like the force of his ex-girlfriend, a potential love interest and the son he never knew. Everything builds up quite nicely but seems to unravel a bit as it’s all supposed to come together. Maybe less really is more. All in all, it’s an enjoyable good/evil, redemption, second chance, triad movie. Reviews: // // Cast:,,,,,, Director: aparoo’s words: triad, gangster, underworld, second chance, new life, redemption, start-over, past aparoo says 3/5 Stream: (no English subs) Photo credit: Google Image Search.
Year: 2001 Ekin Cheng Director: Cast:,,,,,,, Wong Bun-Yuen, Tam Wai-Ho The Skinny: Competent and entertaining triad drama that never rises above its genre because of the routine handling from director Jingle Ma. This is a decent outing with an effective central performance by Ekin Cheng, but it's ultimately only slightly above average. Review by Kozo: Ekin Cheng makes his bid for Andy Lau-like status with this ambitious triad movie that's interesting but questionably staged. Director Jingle Ma does a credible job with the actors, but his storytelling choices leave a little to be desired. Cheng plays Dragon, an ex-convict who works at the Kowloon Cafe after his release from prison. He spends his days with ex-triad pal Lam Suet while making small change as a busboy. However, Dragon isn't just your standard ex-con ex-triad.
No, he's a legendary ex-triad who was famed for his ability to kick ass like you wouldn't believe. Though he wants nothing from that world anymore, he can't exactly escape it. That's because 'every time he tries go get out, they pull him back in.' The triad-lobby has numerous people attempting to hook Dragon back in. Chief among them is ex-girlfriend Helen (ably played by Karen Mok), who still remembers the passionate nights spent in Dragon's triad embrace. She's now a ranking triad officer, and though he says he wants no part of her life, she just won't give up.
Also, various triads (including Chapman To and Jackie Lui) show up and treat Dragon like a ranking triad official - even though he insists he's just a waiter. Dragon has another reason to stay straight: he discovers he has a six year-old son who's never known his father. Also, his son's teacher Miss Mon (new idol singer Rain Li) shows up now and again to lend Dragon some moral (and possible romantic) support. Yep, everything's just great for Dragon. That is, until he get dragged back into the triads.
Ekin Cheng does a credible job with the role of Dragon, but that may be because Dragon seems like an older Chan Ho-Nam than anything else. At the very least, he demonstrates a better emotional range than he previously has, and seeing him play a father is surprisingly effective. This is a good movie for him, and hopefully a sign that he can graduate to better roles.
If anything brings the film down, it's not Cheng, it's director Jingle Ma and his overwritten script. The story of Dragon is a decent one with all the primary traits of the triad genre, but too often it verbalizes what it shouldn't. It's like the filmmakers think the audience won't get it, so just in case they have a character explain what's going on.
Also, Ma's use of style is sometimes inappropriate. He's a competent director, but his films carry little weight because any and all style serves no narrative purpose. It's just there to make things look flashier.