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What's some slang or jargon that you use as a DJ? It can be terms that you created, or that you picked up from somewhere that still aren't commonly used. I'm not really talking about typical slang that everyone uses, such as 'beatmatching', cuttin, scratchin, or whatever.but just things that someone else who's a DJ could hear you use, and they may have to think about it for a sec before figuring out what you are talking about. Some things I say. 'Prime time' - The peak of the party.if it's over at 2, usually the 12:30-1:30 or 1-2 time that you know is the most active.

I will save all the major classics or main commercial hits for this time 'Sacrifice song/track' - This will be a major song, whether it's a classic or current hit, that I would usually save for prime time, but I'll play early if the crowd is thin and needs to get active.or when the crowd is there, but just needs that one song to get them going. A 'DJ's DJ' - Just as someone can be a 'rapper's rapper' or an 'actor's actor'.someone who tends to do things that will impress other DJ's more than it impresses the average fan/partygoer. This can be good or bad, just depending on the type of events they do. Some of them may still use vinyl, but most of them at least use Serato with vinyl.

They'll be great at beatmatching, cutting, and scratching, and their song selection will usually comprise of songs that are sleepers or classics to other DJ's and fans of music, versus the typical commercial songs that most fans love. They will do small things, and put certain songs together by doing things that only DJ's will catch. 'Novelty song' - These are songs that are usually wack or questionable, but have a novelty value to where you can still get away with playing them, because people will sing along to make fun of it, or because it's funny. This can be something like the theme to Fresh Prince, a recognizable song from a movie, or songs such as 'Yahh' and 'Lookin boy' that you could only get away with playing to a certain crowd. 'Milkin a song' - To 'milk' a song is when I'll play the song for more than a verse, or play it as long as I can, just to save songs in the case that I have a crowd where only a certain style of songs work. I'll observe the crowd, and if it seems like they are into the song, I'll let it play longer, versus just cutting it after one or two verses. This may also prevent me from having to play the same song rotation at different events, because I may play 20-25 songs in an hour versus 35-30 in an hour when I am cutting the songs fast as hell.

That 'hit' to it - Whenever I say a song is 'hittin' it means it is a dope song.nothing major.but whenever I talk about a new song, I'll always say if it has that 'hit' to it, which will mean it has a certain energy to it that means it will work the first time I play it, even if the crowd has never heard it. I feel like some songs that become major 'hits' may not have that 'hit' to where you can drop it on a brand new crowd during the peak of the night, and still have people dancing to it as if they love it when they first hear it. Rideout - I got it from the south, but I'm sure some other places use it as well. It's basically the same thing as a set.I can't even say it's really a difference, but I'd say that for me, a rideout will be when I'm trying to keep the energy as high as possible for the fans of that style, region, or artist, versus a set just being a section or time period when I play certain songs.

Therefore.people will usually be singing along to every song during a 'rideout', and the song will come in right after the hook goes off, or a major line is said. Also, I will usually mix (beatmatch) every song in during a set, but I don't always do it during a rideout.I will just scratch the songs in. Quote: Booth fly = naggin woman who wants her apple bottom jeans played. Dude, for the last time!